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Nora Naranjo-Morse’s ‘Always Becoming’: enacting indigenous identity on a museum stage

Citation: Zittlau, Andrea (2014) Nora Naranjo-Morse’s ‘Always Becoming’: enacting indigenous identity on a museum stage. In: Recasting commodity and spectacle in the indigenous Americas. School of Advanced Study, University of London, London, pp. 97-111. ISBN 978-1-908857-08-8

10 Chapter 5.pdf

Creative Commons: Attribution-Noncommercial-No Derivative Works 4.0

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Creators: Zittlau, Andrea and
Subjects: Human Rights & Development Studies
Sociology & Anthropology
Latin American Studies
Keywords: aesthetics, anthropology, art, authenticity, Canada, commodification, education, ethnicity, exoticism, identity, indigeneity, Inuit, Ishi, Mexico, modernism, monuments, museum, narrative, performance, postcoloniality, rights, spectacle, spectatorship, stereotypes, subalternity, tourism, Yahi,
Divisions: Institute of Latin American Studies
Collections: Recasting commodity and spectacle in the indigenous Americas
Dates:
  • 2014 (published)

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