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Full of sound and fury, signifying nothing: How is 9/11’s memorial culture reflective of a crisis in representation that has engendered limiting templates of remembrance?

Citation: Bond, Lucy (2009) Full of sound and fury, signifying nothing: How is 9/11’s memorial culture reflective of a crisis in representation that has engendered limiting templates of remembrance? Masters thesis, Institute of Germanic and Romance Studies.

2007-2008 dissertation submitted for the MA in Cultural Memory at the Institute of Germanic and Romance Studies (IGRS). Supervisor: Dr Richard Crownshaw

Creators: Bond, Lucy and
Subjects: Culture, Language & Literature
Keywords: 9/11, Trauma, Memory
Divisions: Centre for Cultural Memory Studies
Institute of Modern Languages Research
Collections: Dissertation
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Dates:
  • 17 February 2009 (published)
Comments and Suggestions:
Description/Provenance: Submitted by Zoe Holman (zoe.holman@sas.ac.uk) on 2009-02-17T12:39:20Z No. of bitstreams: 1 BOND - MA dissertation.pdf: 229363 bytes, checksum: 2ebc4b012c60854dc0f1073c8849cf76 (MD5); Description/Provenance: Made available in DSpace on 2009-02-17T12:39:20Z (GMT). No. of bitstreams: 1 BOND - MA dissertation.pdf: 229363 bytes, checksum: 2ebc4b012c60854dc0f1073c8849cf76 (MD5). Date accessioned: 2009-02-17T12:39:20Z; Date available: 2009-02-17T12:39:20Z; Date issued: 2009-02-17T12:39:20Z.

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