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George Bell, John Masefield and 'The Coming of Christ': context and significance

This article examines the commissioning and performance of John Masefield's play 'The Coming of Christ', first performed in Canterbury cathedral in 1928. It assesses the originality of such dramatic performances in English cathedrals; examines the opposition to the play, and; considers its place in the development of Bell's own thinking on the relation of the Church and the arts. This is the final version before typesetting (autumn 2008) and as such does not incorporate any changes made at the proof stage.

Webster, Peter (2009) George Bell, John Masefield and 'The Coming of Christ': context and significance. Humanitas. The Journal of the George Bell Institute, 10 (2). pp. 111-124.

Item Type:Article
Subjects:Culture, Language & Literature
Keywords:George Bell, John Masefield, Canterbury Cathedral, Religious drama
Divisions:Institute of Historical Research > Publications Department
Collections:IHR Publications department staff research papers
Deposited By:Repository Administrator
Date Deposited:08 Oct 2010 11:47
Last Modified:05 Aug 2011 09:49
Files available for downloadg
FilenameWebster on John Masefield and George Bell - Humanitas 2009.pdf
File size260Kb
License termsAvailable to public
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