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Tools, Machines, and Techniques for Colour Printing in 18th-Century Europe

Citation: Savage, Elizabeth and Grasselli, Margaret Morgan (2024) Tools, Machines, and Techniques for Colour Printing in 18th-Century Europe. In: Printing Colour 1700-1830 Histories, Techniques, Functions, and Receptions. Proceedings of the British Academy, 263 . Oxford University Press, Oxford, pp. 21-51. ISBN 978-0-19-726753-0

Tools, Machines, and Techniques for Printing Colour in 18th-Century Europe, in Printing Colour 1700–1830, pp 21–51.pdf

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The history of the technology of printing in each of the three approaches to printing, relief, intaglio, and lithography, diverges for the history of printing colour. This is especially the case in Europe in the long 18th century, as colour printing was not mechanised at the same time or in the same way as ‘normal’ black printing. It could require that working methods or press structures be tweaked, or inspire wholly novel, colour-specific printing machines that were designed to accommodate equally novel printing surfaces or matrices. By focusing on the tools, machines, and workshop methods that were developed to print colour, rather than the end results, this chapter presents a technical overview of how colour was printed at this time, c.1700–1830. It concludes by indicating how techniques could be further adapted and combined. It includes printing in letterpress, relief, intaglio, and lithography, as well as cognate, cross-fertilising trades including textile, pottery, and wallpaper.

Additional Information: The publication of this book was supported by the Marc Fitch Fund and Isobel Thornely Bequest. This is the Author Accepted Manuscript version of 'Tools, Machines, and Techniques for Colour Printing in 18th-Century Europe' by Elizabeth Savage and Margaret Morgan Grasselli. In: Printing Colour 1700-1830 Histories, Techniques, Functions, and Receptions. Proceedings of the British Academy, 263. Oxford University Press, Oxford, pp.21-51. Each author may upload the ‘author accepted manuscript’ version of their chapter in the Proceedings volume to institutional or centrally organised subject repositories where it may be made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International Licence (CC BY-NC-ND), provided that (a) it is not made publicly available until 12 months after the publication in the Proceedings of the British Academy series, (b) the Proceedings is attributed as the original place of publication with the correct citation details given. The series is therefore compliant with open access requirements for work that has also been supported through UKRI.
Creators: Savage, Elizabeth (0000-0002-7274-2471) and Grasselli, Margaret Morgan and
DOI: https://doi.org/10.5871/bacad/9780197267530.003.0002
Subjects: History
Keywords: Colour printing, Handpress printing, Mechanisation Industrialisation, Printing press, Relief printing, Intaglio printing, Lithographic printing, Wood block, Copper plate
Divisions: School of Advanced Study: Central Offices
Dates:
  • 27 December 2024 (published)

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