Citation: Gilbert, Helen and Gleghorn, Charlotte (2014) Introduction: Recasting commodity and spectacle in the indigenous Americas. In: Recasting commodity and spectacle in the indigenous Americas. School of Advanced Study, University of London, London, pp. 1-18. ISBN 978-1-908857-08-8
05 Introduction (_inc amend).pdf
Creative Commons: Attribution-Noncommercial-No Derivative Works 4.0
Metadata
| Creators: | Gilbert, Helen and Gleghorn, Charlotte and |
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| Subjects: | Human Rights & Development Studies Sociology & Anthropology Latin American Studies |
| Keywords: | activism, aesthetics, Arapaho, art, authenticity, Belize, Bolivia, Canada, canibalism, Cheyenne, Christianity, colonialism, commodification, Dakota, Ecuador, education, exoticism, festival, folklorisation, globalisation, heritage, Ho-chunk, Hollywood, hybridity, identity, imperialism, indigeneity, Inuit, Kichwa, Kwakwaka'wakw, Lil'wat, Maori, Maya, Mayagna, mestizaje, mestizos, Mexico, Michoacán, modernity, Mohawk, monuments, multiculturalism, museum, narrative, neoliberalism, Nicaragua, Otherness, performance, Peru, photography, Pocahontas, potlatch, protest, racism, revolution, rights, rights, Shakespeare, Spain, spectacle, spectatorship, stereotypes, storytelling, subalternity, Tahltan, Thanksgiving, theatre, tourism, UNESCO, video, violence, whiteness, |
| Divisions: | Institute of Latin American Studies |
| Collections: | Recasting commodity and spectacle in the indigenous Americas |
| Dates: |
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