Citation: Heyde, Neil Editing Debussy's Sonatas.
1st_movement_Debussy_Cello_Sonata.mpg
Creative Commons: Attribution-No Derivative Works 4.0
Creative Commons: Attribution-No Derivative Works 4.0
Editing_Analysis_of_1st_Movement.mpg
Creative Commons: Attribution-No Derivative Works 4.0
General_Discussion_of_Sources.mpg
Creative Commons: Attribution-No Derivative Works 4.0
Creative Commons: Attribution-No Derivative Works 4.0
Abstract
A critical reflection on the editorial process in preparing the first movement of Debussy's Sonate pour violoncelle et piano for the Oeuvres Completes de Claude Debussy. The discussion is preceded by and illustrated with performance examples, revealing the complexity of some of the decisions in ways that will not be discernible in the final printed product, and shedding light on both the critical and performative dimensions of the editorial process.
Metadata
Additional Information: | Summary: A discussion of the issues raised in editing Debussy's Sonate pour violoncelle et piano. Event Venue: Piano Gallery, Royal Academy of Music; |
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Creators: | Heyde, Neil and |
Subjects: | Music |
Keywords: | Material type: Workshops and Demonstrations, Musical Tradition: Western Classical, |
Divisions: | Institute of Musical Research |
Collections: | Practice as Research in Music Online (PRIMO) |
References: | Composers: Debussy, Claude; Contains third-party copyright material: no; |